Plum Neasmith
Glimpses of gold 6
Mixed media including collage, text and gold leaf on paper with wide black mount, frame and glazing.
Painting size: 17 x 12cm
Frame size: 37 x 32cm
Delivery within 1-2 weeks.
About the artist
+
Plum Neasmith studied at the University of Gloucestershire for five years gaining a BA in Fine Art. As an undergraduate she won the prestigious Grant Thornton Travel Award. She currently lives and works in Cheltenham.
In Plum Neasmith's words: "The starting point for a painting is often an experience of place. The work and its meaning evolves in the studio through the action of distillation and translation. Process and chance are a fundamental part of the process as well as utilising the often slow, indirect and multi-layered nature of memory. The work is trying to remember something perhaps through the freezing of time, to reveal something new about a subject as well as attempting to capture its essence or illusory nature."
"I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present only about the past" - Virginia Woolf
"…to paint not the thing but the effect it produces" - Mallarme
Plum Neasmith's work has been shown widely throughout the UK including The Royal Academy Summer Exhibition, The Royal West Academy Open Exhibition, Hampstead Affordable Art Fairs and Bristol Affordable Art Fairs.
In Plum Neasmith's words: "The starting point for a painting is often an experience of place. The work and its meaning evolves in the studio through the action of distillation and translation. Process and chance are a fundamental part of the process as well as utilising the often slow, indirect and multi-layered nature of memory. The work is trying to remember something perhaps through the freezing of time, to reveal something new about a subject as well as attempting to capture its essence or illusory nature."
"I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present only about the past" - Virginia Woolf
"…to paint not the thing but the effect it produces" - Mallarme
Plum Neasmith's work has been shown widely throughout the UK including The Royal Academy Summer Exhibition, The Royal West Academy Open Exhibition, Hampstead Affordable Art Fairs and Bristol Affordable Art Fairs.
£190.00
Plus £10 for UK delivery
Mixed media including collage, text and gold leaf on paper with wide black mount, frame and glazing.
Painting size: 17 x 12cm
Frame size: 37 x 32cm
Delivery within 1-2 weeks.
About the artist
+
Plum Neasmith studied at the University of Gloucestershire for five years gaining a BA in Fine Art. As an undergraduate she won the prestigious Grant Thornton Travel Award. She currently lives and works in Cheltenham.
In Plum Neasmith's words: "The starting point for a painting is often an experience of place. The work and its meaning evolves in the studio through the action of distillation and translation. Process and chance are a fundamental part of the process as well as utilising the often slow, indirect and multi-layered nature of memory. The work is trying to remember something perhaps through the freezing of time, to reveal something new about a subject as well as attempting to capture its essence or illusory nature."
"I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present only about the past" - Virginia Woolf
"…to paint not the thing but the effect it produces" - Mallarme
Plum Neasmith's work has been shown widely throughout the UK including The Royal Academy Summer Exhibition, The Royal West Academy Open Exhibition, Hampstead Affordable Art Fairs and Bristol Affordable Art Fairs.
In Plum Neasmith's words: "The starting point for a painting is often an experience of place. The work and its meaning evolves in the studio through the action of distillation and translation. Process and chance are a fundamental part of the process as well as utilising the often slow, indirect and multi-layered nature of memory. The work is trying to remember something perhaps through the freezing of time, to reveal something new about a subject as well as attempting to capture its essence or illusory nature."
"I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present only about the past" - Virginia Woolf
"…to paint not the thing but the effect it produces" - Mallarme
Plum Neasmith's work has been shown widely throughout the UK including The Royal Academy Summer Exhibition, The Royal West Academy Open Exhibition, Hampstead Affordable Art Fairs and Bristol Affordable Art Fairs.
Browse artists
-
Alexander Johnson
-
Andrew Lansley
-
Anna Simmons
-
Annabel Menheneott
-
Bonnie and Clyde
-
Caroline Hall
-
Chris Keegan
-
Chuck Elliott
-
Elaine Jones
-
Emma Cowlam
-
Felicity Keefe
-
Gavin Dobson
-
Georgia Cox
-
Hatty Butler
-
Helen Bridges
-
Ione Parkin RWA
-
Jaco Putker
-
James Bates
-
Jane Emberson
-
Jason Keeley
-
Jess Townsend
-
Jo de Pear
-
Jonathan Barber
-
Josie Blue Molloy
-
Julia Wilson
-
Juliette Paull
-
Kelly O'Brien
-
Lorenzo Davitti
-
Lynda Ruth Brown
-
Maria Rivans
-
Mark Jessett
-
Mark Mawson
-
Mark Stopforth
-
Miranda Carter
-
Paul Bennett
-
Paul Minott
-
Penelope Kenny
-
Peter Town
-
Plum Neasmith
-
Rebecca King
-
Ruby Addison
-
Sam Peacock
-
Sarah Boden
-
Simon Spilsbury
-
Trudie Tara Moulton
-
Victoria Topping