Chuck Elliott
Lino / venetian
Metallic Lambda photographic print, mounted to Plexiglass, laser cut to shape and fitted with a hidden subframe, ready to install. Individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity.
From an edition of 12.
Image size: 100cm diameter
Delivery within 5-6 weeks.
From an edition of 12.
Image size: 100cm diameter
Delivery within 5-6 weeks.
About the artist
+
Chuck Elliott has been working as a digital artist full time since 1992, after graduating from the old Hornsey School of Art in London. It continues to be an interesting journey.
In Chuck's words: About twelve years ago I decided to focus in on the idea of using digital drawing tools to create studies that explore line, light, colour and geometry. It seemed that the digital toolset offered an opportunity to advance the modernist study of geometric form into new, more complex, more intriguing areas than had previously been possible with pen and paint. Following the example of contemporary music production, digital data can be honed, remixed, layered, edited and sculpted, finessing final compositions in ways that are clearly analogous with modern film, music and photography production. Pure logical progression.
The works I generate are large format C type photographic prints. Original digital drawings exposed onto photographic paper by laser light, developed, fixed and washed in the traditional manner. These C type prints are then bonded to clear perspex using the Diasec process. The glazed pieces can then be laser cut to shape, framed, or simply mounted directly to the wall.
Alongside this main body of work I'm also exploring digital screen art, and 3D printing, which offer intriguing opportunities to add time, motion and sculptural form, to the drawings. As computer systems become faster and more powerful, so the opportunity to work with denser, more complex data sets increases, and as such it seems likely that the studies will become ever more intriguing over the coming years….
In Chuck's words: About twelve years ago I decided to focus in on the idea of using digital drawing tools to create studies that explore line, light, colour and geometry. It seemed that the digital toolset offered an opportunity to advance the modernist study of geometric form into new, more complex, more intriguing areas than had previously been possible with pen and paint. Following the example of contemporary music production, digital data can be honed, remixed, layered, edited and sculpted, finessing final compositions in ways that are clearly analogous with modern film, music and photography production. Pure logical progression.
The works I generate are large format C type photographic prints. Original digital drawings exposed onto photographic paper by laser light, developed, fixed and washed in the traditional manner. These C type prints are then bonded to clear perspex using the Diasec process. The glazed pieces can then be laser cut to shape, framed, or simply mounted directly to the wall.
Alongside this main body of work I'm also exploring digital screen art, and 3D printing, which offer intriguing opportunities to add time, motion and sculptural form, to the drawings. As computer systems become faster and more powerful, so the opportunity to work with denser, more complex data sets increases, and as such it seems likely that the studies will become ever more intriguing over the coming years….
£2,800.00
Plus £20 for UK delivery
Metallic Lambda photographic print, mounted to Plexiglass, laser cut to shape and fitted with a hidden subframe, ready to install. Individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity.
From an edition of 12.
Image size: 100cm diameter
Delivery within 5-6 weeks.
From an edition of 12.
Image size: 100cm diameter
Delivery within 5-6 weeks.
About the artist
+
Chuck Elliott has been working as a digital artist full time since 1992, after graduating from the old Hornsey School of Art in London. It continues to be an interesting journey.
In Chuck's words: About twelve years ago I decided to focus in on the idea of using digital drawing tools to create studies that explore line, light, colour and geometry. It seemed that the digital toolset offered an opportunity to advance the modernist study of geometric form into new, more complex, more intriguing areas than had previously been possible with pen and paint. Following the example of contemporary music production, digital data can be honed, remixed, layered, edited and sculpted, finessing final compositions in ways that are clearly analogous with modern film, music and photography production. Pure logical progression.
The works I generate are large format C type photographic prints. Original digital drawings exposed onto photographic paper by laser light, developed, fixed and washed in the traditional manner. These C type prints are then bonded to clear perspex using the Diasec process. The glazed pieces can then be laser cut to shape, framed, or simply mounted directly to the wall.
Alongside this main body of work I'm also exploring digital screen art, and 3D printing, which offer intriguing opportunities to add time, motion and sculptural form, to the drawings. As computer systems become faster and more powerful, so the opportunity to work with denser, more complex data sets increases, and as such it seems likely that the studies will become ever more intriguing over the coming years….
In Chuck's words: About twelve years ago I decided to focus in on the idea of using digital drawing tools to create studies that explore line, light, colour and geometry. It seemed that the digital toolset offered an opportunity to advance the modernist study of geometric form into new, more complex, more intriguing areas than had previously been possible with pen and paint. Following the example of contemporary music production, digital data can be honed, remixed, layered, edited and sculpted, finessing final compositions in ways that are clearly analogous with modern film, music and photography production. Pure logical progression.
The works I generate are large format C type photographic prints. Original digital drawings exposed onto photographic paper by laser light, developed, fixed and washed in the traditional manner. These C type prints are then bonded to clear perspex using the Diasec process. The glazed pieces can then be laser cut to shape, framed, or simply mounted directly to the wall.
Alongside this main body of work I'm also exploring digital screen art, and 3D printing, which offer intriguing opportunities to add time, motion and sculptural form, to the drawings. As computer systems become faster and more powerful, so the opportunity to work with denser, more complex data sets increases, and as such it seems likely that the studies will become ever more intriguing over the coming years….
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